Posts By Asher Luberto

Showing 12 of 104 results
Movies about childhood are usually as colorful as the puffballs in Amarcord, as catchy as the songs in Almost Famous and as sentimental as the bedtime stories in Boy Read full Post
Henry Selick’s Wendell and Wild puts the "ooh" back in "boo." At once morbid and magical, made out of skeleton bones and stop-motion clay, it is a wholly unique co Read full Post
Everyone goes to Italy for the same reason. No matter if you're going to San Gimignano, where cypress trees march in rows against open skies, or Cinque Terre, where Read full Post
Netflix's latest addition to the queue had no trouble attracting a celebrated cast. Day Shift has so many stars involved, their names barely all fit on the poster. Read full Post
The Gray Man is such a massive, go-for-broke production, it's a shame we can't give it a good review. Though the film is based on a best-selling novel and adapted by Read full Post
A 90-minute documentary about lava? What is this, geology class? Not even close... Fire of Love is nothing like what you might be expecting. Yes, it's a meditation o Read full Post
When a film advertises itself as the new Adam Sandler joint, it's hard to know what to expect these days. His track record is so spotty, it's never clear what kind o Read full Post
Nominally known as the funniest cooks on television, the Belchers family, as seen on Bob's Burgers, have found a notably wide audience; even those who don't like ani Read full Post
Top Gun is back, and all is right in the world. Well, maybe not all. Maverick still has problems, as he did three decades ago, and people like Iceman still want to s Read full Post
Is it possible to make a blockbuster that's as dumb as it is entertaining, as mindless and pointless as it is escapist? The answer is yes, especially if the name Mic Read full Post
Prepare to be astonished by Everything Everywhere All at Once. Written and directed by Daniel Kwan and Daniel Scheinert, collectively known as The Daniels, this visu Read full Post
Ahed's Knee is both a cathartic battle cry against government censorship and a sensitive, nuanced take on art and identity from director Nadav Lapid. The auteur star Read full Post
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