Rapturous reviews this week for pianist Mona Golabek in The Pianist of Willesden Lane at the Geffen, based on her book, and the Kennedy Center's Follies, now at
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Continuing its mission of interlinking theater with social justice, Cornerstone Theater Company launches its hunger cycle series of plays with Lisa Loomer's Caf?
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Bryan Harnetiaux's new play focuses on family dynamics as the 51-year-old husband, Bobby (Barry Wiggins), in a childless marriage, enters a hospice for terminal
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On the heels of a panel discussion on arts criticism at KPCC's Crawford Family Forum last week, hosted by Los Angeles Stage Alliance, blogger Colin Mitchell of t
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Bryan Harnetiaux's new play, Holding On -- Letting Go is difficult to watch for the way it captures the realistic agonies of a wife slowly losing her husband to
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In Henry James' short novel Washington Square, set in 1850 New York, when a homely, awkward and guileless young heiress named Catherine Sloper comes to believe,
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Jessica Abrams comedy about Hollywood, The Laughing Cow, traffics in stereotypes but is nonetheless so delightful, says reviewer Rebecca Haithcoat, it grabs this we
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Terry Tocantins and Alex Zola's The Magic Bullet Theory, closing this weekend at Sacred Fools Theater Company in Hollywood, is the second play to be produced loc
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Alan Aymie's autobiographical saga of his travails within LAUSD, A Child Left Behind, is this week's Pick. Other New Reviews also include Bill Raden's "G
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Every once in a while, a stage production comes along that simply stops you in your tracks. Such a production usually is of the kind of play that asks in general wha
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David Lindsay-Abaire's Tony-nominated play about class rifts in America, Good People, now playing at the Geffen, is this week's Pick of the Week, by Neal Wea
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The constellations appeared as projected images in two productions last weekend. One was a workshop of a play-in-development, closing the day this goes to print, wri
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