TV loves doctors and lawyers; movies love professional killers. Just ask Jean-Pierre Melville. Or better yet, ask David Fincher, whose new movie, The Killer, is a sl
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Indiana Jones used to be afraid of one thing: snakes. The archeologist could outrun boulders, crawl through tunnels and hop on moving planes, but put him next to one
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John Irving Bloom aka Joe Bob Briggs has become today’s answer to Elvira. The film critic and actor, who hosts The Last Drive-in with Joe Bob Briggs on Shudder
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In a movie your coke dealer will love, writer-director Damien Chazelle offers a deep dive into the decadence and depravity of pre-talkies Hollywood. In Babylon, the
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Streaming services, cable TV and Primetime television are fighting for your viewership now more than ever. UNBINGED is here to help you weed through it all, with rev
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Horror has never been more popular and Screamfest Film Festival is back to satisfy those who love it. Dedicated to supporting and developing independent filmmakers i
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Among our most primal fears—of the dark, of extreme weather, of public speaking—it’s the fear of falling that most commonly haunts our nightmares. The corny ye
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Short films might not be as labor-intensive as full lengths, but they have their own set of challenges. Telling a great story in a limited amount of time is not easy
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Twenty-five year-old actor-writer-director Cooper Raiff has followed his terrific indie comedy, Shithouse (2020) with Cha Cha Real Smooth, a more serious-minded film
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When a film advertises itself as the new Adam Sandler joint, it’s hard to know what to expect these days. His track record is so spotty, it’s never clear
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A kind of career-capping, gross-out victory lap, David Cronenberg’s Crimes of the Future, is a triumph of perverse auteurism. To say no other artist could’ve spl
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More performance art than music documentary, Andrew Dominik’s This Much I Know to Be True is a stripped down but complex portrait of Australian musician/poet Nick
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