It’s a Christmas present wrapped in claymation, a stocking stuffer wrapped with laughs, a wonderful treat for the holidays — it’s the new Wallace & Gromit
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It’s a dialectic, pressure in, pressure out: Autocratic societies will almost by definition spawn rebellious responses, and so in a sense you could say that the fi
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John Crowley’s We Live in Time is far from perfect, but you can’t say it doesn’t wear its heart on its sleeve. An unabashedly sentimental tearjerker that feat
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Cinema’s celebrated new “It” boy of the slasher scene has returned for the spooky season, but Art the Clown is looking to claim a new holiday, as f
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Damian McCarthy’s Irish-junkshop genre riff Oddity comes pig-piling atop an already sky-high stack of low-mid-budget horror movies — which seems to be one out o
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In his continued exploration of greed, corruption and moral decay, Martin Scorsese doesn’t play it safe in Killers of the Flower Moon, his latest, which opens in t
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Ah, Italy. The word alone evokes images of smiling locals, sun-dappled hills and sumptuous ruins that echo with eternal splendor. It’s a country that draws in
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New bio-docs chronicling the lives of Michael J. Fox and Anna Nicole Smith highlight contrasting challenges, public perceptions and paths to fame with traditional ch
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Several years ago, a hitman was thrust back into a life of crime after a privileged thug killed his puppy and made off with his car. A deceptively simple story, but
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Horror has never been more popular and Screamfest Film Festival is back to satisfy those who love it. Dedicated to supporting and developing independent filmmakers i
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With the new socially conscious dark horror/drama They/Them (They Slash” Them) debuting on Peacock TV last week, Kevin Bacon once again brings his star power to an
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Karina Longworth is the best kind of film academic. Her perspective on cinema and its history is expansive and ruminative, but her passion for the subject matter ens
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