Actually, photographer doesn’t really cover what Tatiana Wills does with her camera – collaborative portraitist or sense-of-self empath might be more appropriate. After a career in commercial and advertising image-making, Wills set out to document communities of creatives, pioneers and rule-breakers” such as the coterie of independent artists whose portraits (along with Roman Cho’s) make up the iconic book Heroes & Villains (ZERO+). Currently Wills focuses on professional dancers and choreographers, including her daughter, a ballerina, exploring the dynamics of identity, power and vulnerability expressed in the body in performative and private contexts.
Kyle Abraham by Tatiana Wills
TATIANA WILLS: I don’t think I was ever really encouraged to do anything else, to be honest.
I’m interested in the essential spirit of artists who are shaping the future of art and culture. I see my practice as highly collaborative and a way to have conversations across disciplines.
I’d be a photographer. I mean, I’ve always had difficulty labeling myself as a photographer versus an artist and sometimes I view those as separate entities. I understand myself as an artistic person with multiple outlets that allow me to express myself (or others).
Lily Wills by Tatiana Wills
No. I tried for a while but couldn’t afford it. I had a kid in my early 20s, so I worked in a related industry (advertising) and learned on the job. That led to a lot more opportunities and passion projects where I began to realize what was most important to me, artistically speaking.
L.A. has a mysterious way of luring me into thinking life is full of possibility. People from all walks of life, so many hidden gems, food scenes, things to explore. I love it here.
April of 2008 at the Corey Helford Gallery. It was a limited engagement, one weekend only affair and very project specific. I exhibited like 50 or more pieces. It was a huge undertaking and Jan Corey was absolutely wonderful. The experience was fantastic.
Patricia Zhou by Tatiana Wills
This past December during Miami Art Week, I had the pleasure of being invited to show at the Sagamore Hotel. They turned their poolside bungalows into a mini art fair. I was very grateful to be showing work in real life during a global pandemic.
Berenice Abbot. I feel like we would have vibed.
Yes. I listen to music all the time, and what I listen to depends on my mood. Or, to put it more accurately, the mood I want to be in. Today, I’ve been obsessed with Rachmaninoff’s Piano Concerto No. 2.
Lily Wills by Tatiana Wills
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