It’s a Christmas present wrapped in claymation, a stocking stuffer wrapped with laughs, a wonderful treat for the holidays — it’s the new Wallace & Gromit
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It’s a dialectic, pressure in, pressure out: Autocratic societies will almost by definition spawn rebellious responses, and so in a sense you could say that the fi
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John Crowley’s We Live in Time is far from perfect, but you can’t say it doesn’t wear its heart on its sleeve. An unabashedly sentimental tearjerker that feat
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Cinema’s celebrated new “It” boy of the slasher scene has returned for the spooky season, but Art the Clown is looking to claim a new holiday, as f
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Damian McCarthy’s Irish-junkshop genre riff Oddity comes pig-piling atop an already sky-high stack of low-mid-budget horror movies — which seems to be one out o
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TV loves doctors and lawyers; movies love professional killers. Just ask Jean-Pierre Melville. Or better yet, ask David Fincher, whose new movie, The Killer, is a sl
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Indiana Jones used to be afraid of one thing: snakes. The archeologist could outrun boulders, crawl through tunnels and hop on moving planes, but put him next to one
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John Irving Bloom aka Joe Bob Briggs has become today’s answer to Elvira. The film critic and actor, who hosts The Last Drive-in with Joe Bob Briggs on Shudder
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Horror has never been more popular and Screamfest Film Festival is back to satisfy those who love it. Dedicated to supporting and developing independent filmmakers i
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Among our most primal fears—of the dark, of extreme weather, of public speaking—it’s the fear of falling that most commonly haunts our nightmares. The corny ye
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Short films might not be as labor-intensive as full lengths, but they have their own set of challenges. Telling a great story in a limited amount of time is not easy
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Twenty-five year-old actor-writer-director Cooper Raiff has followed his terrific indie comedy, Shithouse (2020) with Cha Cha Real Smooth, a more serious-minded film
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